Nikita Nelin

Story Weaver

Fiction.

Nonfiction..

Immersive Journalism…

Narrative Guide….

The Obligatory Bio in the 3rd-person:

Nikita Nelin was born in Moscow, Russia and immigrated to the U.S in 1989. He has lived in Austria and Italy, and has traveled the U.S extensively. He received the Sean O’Faolain prize for short fiction, the Summer Literary Seminars prize for nonfiction, and the Dogwood Literary Prize in Nonfiction, as well as being chosen as a finalist for the Restless Books Immigrant prize and the Dzanc Books prize. His work has been published in print and online. Nikita has conducted research through the Harriman Institute as well as translation through Yale Press, and has written on the convergence between fringe and at-large cultural trends for the Hannah Arendt Center. He holds an MFA in fiction from Brooklyn College, is a 2019 Associate Fellow at The Hannah Arendt Center for Politics and the Humanities, and is a member of the Southern Experience Collective.

For information on Personal Narrative Guide services please check the Narrative Guidance page of the site.

04/23/20 Workshop 1

I remember when the earth was cold,

absent in its shelter,

an aged orb

wan in a shuddering light –

I remember that the last thing

you wanted to face was

the world,

and you were hungry.

I remember rain

without delicate touch;

that a cat wandered through

and you could not imagine the world with anything but distance.

I remember all the lights

on, as you kept reaching out

for an ineffable fix

to what you know,

but you hoped

was not, broken.

I remember you thought you were

almost young

but old enough

to forget,

here and there,

how to remember.

I remember all the hope

we kept

in our fear,

and all the fear

that spread out

at each summoning of hope.

I remember not being allowed

to stand with certainty;

I remember that there was nothing

but tomorrow,

and tomorrow was always

another day away;

I remember you

and I remember how tragically

you tried to imagine me.

 

I remember the orange peel

crusting on the table – you thought

it was death – ain’t it strange

how death can be confused with perfume,

what remains in the room after the guest of honor

has gone home with a more mysterious

casualty of danger;

the awkwardness of last contact

with the first line

of a song;

and you were tired

for the call to go on,

and then go on again,

a little more,

past the stop

"Fantasy, abandoned by reason, produces impossible monsters; united with it, she is the mother of the arts and the origin of marvels." 
                                                                                     Goya